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Quintessence of Chinese history story
The root of great Chinese culture
Chinese Classical Philosophy
The symbol of Chinese Culture is Like an Enigma
The Dietary Culture of China
Dietary culture at the Chinese Dining Table
A Birds eye View of Shanghai
Chinese Cultural Significance of the Chafing Dish
Chinese Theatrics and Beijing opera at the Opening Ceremony of the Beijing 2008 Olympics
10 Beijing opera history and some famous performing artists
11 Beijing opera masks and costumes
12 The Chinese traditional female Dresses Cheongsam, Qipao at the Beijing Olympics
13 The Breakthrough of 0-The First Chinese Taking Part in the Olympic Games
14 The first Gold Medal of China at the Olympics game
15  The New Chinese business Social stratum of China society
16 The human right & the gap between rich and poor of China society
17 Talk on Peking roast Duck
18 Quadrangle house:SiHeYuan ---The Architectural Structures of Beijing
19 Touring the City of Beijing ----Treading the Hutongs
20 A Rambling Talk about the History and Past Governors of Hong Kong
21 Drink morning tea in HK(Part1)
22 Best Chinese lunch in Hong Kong tea restaurants-HK(Part2)
23 Chinese dinner recipes and night club of Hong Kong-HK(Part3)
24 History of beijing and some interesting stories of dynasty
25 Culture of Beijing and the history of Forbidden city
26 Chat about Tibet history and religion
27 Chinese tea culture and history
(more)
The Chinese traditional female Dresses Cheongsam, Qipao at the Beijing Olympics
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You must be attracted by the charming Chinese ladies who are dressing Cheongsam, it is the Chinese dress Qipao also, during the period of Beijing 2008 Olympics.
The close-fitting woman"s dress of Manchurian style with high neck and slit skirt, popularly called qipao in China, is expected to play the role of being the chief female Chinese dress during the Beijing Olympics. Qipao belongs not only to China but to the whole world. It has made its way overseas and has been all the rage in England, America, Germany and Arabia and is held in high esteem in most other countries of the world.
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Chinese women still love qipao principally because it is simple and elegant, as this Chinese dress suitable for reflecting the beauty of the female body. In other words, this Chinese dress can manifest to the full the merit of the wearer"s body and minimize the demonstration of its demerit. For example, a woman may have bandy legs or clubbed legs. But if she puts on her qipao she will instantly become graceful in appearance, standing tall and erect.
To a person who knows the Chinese language, the term qipao may arouse in his/her mind beautiful associations. For the word qi means in Chinese "flag or banner". Hearing this word, the person will spontaneously and unconsciously associate the woman"s figure with a banner or flag waving gently and gracefully in a breeze. So the sound of the word carries a sensuous feeling.
Of course, what has been said above is pure fancy. Now, we"ll make a historical investigation of the term qipao. For three hundred years since 1616, China was ruled by monarchs of the Man nationality. People of the Man nationality were divided into eight banners, each with a distinctive color, for the purposes of administrative control, military regimentation and daily production. Chinese people of the Han nationality, who had been subjugated, looked up to them in awe and called them qi people, meaning literally "people under banners"
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Those qi people were nomads. They spent most of their time on horseback. They wore gowns, with slits below the hip to facilitate mounting and dismounting. The lower part of the gown was used to protect their legs from the cold weather of their native land, which is now the northeastern part of China. The Chinese equivalent of the English word gown is pao. Therefore, the gowns worn by the qi people came to be called qipao. Later, however, as more and more Chinese people of the Han nationality began to wear this type of gown, the qi was omitted by people of the Han nationality to express their close affinity to the Man nationality. The word qipao, then become a term denoting solely the woman"s dress, particularly the qi woman"s, because the successive emperors of the Qing Dynasty did not favor the idea that females of the Han nationality be dressed exactly like those of the Man nationality. Men of the Han nationality, especially those who were eager to curry favor with the conquerors and to get positions in the Qing government, put on the new-type gowns with alacrity to show their loyalty but did not dare to use the modifier qi for fear of giving offence to the conquerors.
Ironically, most men of the Han nationality who considered themselves to be literate and rich or well-to-do continued to wear this type of gown even after the last emperor of the Qing Dynasty had been driven out of the Forbidden City in Beijing in 1925. This custom was abolished after liberation of the country in 1949---of the free will of the people without compulsion by any authorities.
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As for qipao, it was not worn by females of the Han nationality until many years after the downfall of the Qing Dynasty. This phenomenon has been attributed in part to the high cost of decoration in embroidery of the dress, which few people were rich enough to afford under the reign of the Qing emperors. But, as a matter of fact, the real cause was not pecuniary in nature. It was not money, nor the emperor"s opinion, that hindered Chinese women outside the Imperial Palace from wearing qipao. What prevented them from doing so was a queer, vicious social custom that existed in China for almost a thousand years.
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Girls at the age of six years were forced to have their feet bound with long strips of cloth, which prevented their feet from growing and made them deformed. This cruel custom originated clearly from the sadism of the feudal ruling class of some previous dynasty. The Manchurian conquerors wanted at first to do away with this evil custom but took no action later. Therefore, girls and women of the Han nationality were unable to imitate those of the Man nationality, who wore shoes with high soles and looked erect and elegant in qipao. Thus, for three hundred years the qipao belonged literally to the qi girls and women.
With the freeing of Chinese girls from this evil social custom in the 20s of the last century, qipao gradually came into vogue. Girl students and female correspondents put on this type of dress and came to be looked upon as representatives of "the modern female sex". Audacious girls reformed this dress in the 30s and 40s of the 20th century. They shortened the sleeves and widened the slits in the lower part of the dress. They did away with the long trousers which females of the Man nationality had been obliged to wear. Thus their naked arms and legs were exposed to the eyes of males, who looked at them with wonder and admiration.
The qipao is wonderful Chinese dress in that it is close-fitting and is made of one piece of material but leaves some parts of the female body accessible to glimpses for short moments. Its magic consists in being both covert and overt, leaving much room for exploration by the daring eye.
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